Iroquois housing and architectural shift at the time of the American Revolution (plus some gaming stuff)

If you have looked at this blog much, you will know that I enjoy miniature wargaming, model building, and studying history, among other things. Currently I am looking into local history from the American Revolutionary War era and reading "The Iroquois in the American Revolution," a classic work by Barbara Graymont (1972, Syracuse University Press.) Please note the link to purchase this book and support the blog below.

Which got me to thinking, what sort of houses did the Iroquois live in at this time and what sort of fortifications did they have?

Traditionally, the Iroquois lived in multi-family longhouses in walled villages. Many illustrations of them exist.  I've included several below, but before you look at them, let's think a bit. Did the Iroquois live in the longhouses at the time of the American Revolution?



For the record, Iroquois still live today and today they do not live in longhouses. Even at the most traditional Mohawk and/ or Iroquois settlements today, you are not going to find people living in longhouses. (In fact, my father once helped with a construction project at Ganienkeh, a radical, Mohawk / Iroquois separatist community with both a Mohawk language school and a stubborn insistence that they are part of the sovereign Mohawk nation, not subject to US or Canadian law. He helped build some houses. They were, for the record, of modern design and not longhouses.)

So when did the architectural shift take place? Like so much in Iroquois history and society, the shift, it seems took place in the mid-eighteenth century.But first let's look a bit at the traditional housing and styles of community lay out.



According to Graymont, pages 9-10, while some of the longhouses were single family, most were multi-family, The number of longhouses in a community varied widely, depending, as one would expect on the size of the community. "Small hamlets" might have just four to five longhouses, while the largest Iroquois communities could have over one hundred longhouses, as well as walls and structures for smoking food and other necessities of community life. The smallest longhouses were  "20 feet long, 16 feet wide, and 15 feet high" (about 6m. by 5m. by 5m) according to Graymont, while the average was "60 feet long, 18 feet wide, and 18 feet high" (about 18m. by 5.5m by 5.5m) again according to Graymont. The largest on record, she says, was 334 feet long by 23 feet wide. (about 102m. long by 7m wide). She gives no height but as longhouses were curved in shape, I think it's safe to estimate it was between 18 and 23 feet high ( 5.5m to 7m. approximately).  She also gives detailed descriptions of the construction and other architectural details of these longhouses. As these are easily found through a websearch, I see no need to share them here. 



Again according to Graymont, these traditional settlements were often fortified. As this is a detail of much interest to wargamers, it seems worth quoting the entire paragraph from the book in full:

"The Iroquois lived in stockaded villages located usually in easily defensible high places near a supply of water. The log palisades were from fifteen to twenty feet in height, in single, double, triple, or quadruple lines, interlaced, and then reinforced with heavy bark. A deep ditch might surround the palisades with the dirt being thrown up to form an embankment next to the palisade. A bark battlement might also run along the top and, in time of war, be supplied with piles of stone to hurl down upon the enemy and jars of water to extinguish fires started by burning arrows. After 1600, when the power of the Iroquois Confederacy was at its height, and particularly after 1700, with the end of the Iroquois wars, fewer of the inner villages of the Five Nations were heavily palisaded. A more modest type enclosure was all that was needed to keep the forest animals from scavenging in the village," (Graymont, pp. 9-10)


However, we are talking about the time of the American Revolution (or as they say in the UK, "the American War of Independence" ), a period when Iroquois culture and politics was in great flux, a time when, as one science fiction series says in the prologue, "everything changed."

So did the Iroquois live in such houses at this time? It seems some did but an increasing numbers of others were adopting White housing styles.  Again, it seems worthwhile to include Graymont's entire paragraph on this:

"Toward the end of the eighteenth century, the Iroquois began to build the same type of log houses used by the white frontier settlers. An occasional well-to-do Indian would even build a frame house in imitation of his more affluent white neighbors. Bark houses survived to some extent well into the middle of the nineteenth century but gradually gave way to the sturdier dwellings copied from the whites." (Graymont, p. 10)


This house is a modern reconstruction of a house on the Saratoga Battlefield, a National Historic Park. It is shared merely to show a typical house of the time and place discussed. You may see other photos at https://benedictarnold.smugmug.com/Battles-of-Saratoga/John-Neilson-House/ I did not wish to infringe upon the copyright of those photos but there is one there that includes people and clearly shows the small size of the house, not uncommon in those days.

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Graymont also includes an interesting story about an Oneida church built in the 1770s. While the missionary who promoted the  church in the first place, Samuel Kirkland, followed a school of theology known as "the New Light Principle" which held that churches need not have steeples and Baptism with water was not essential for salvation (Note: I hope to research this more. It sounds like the teachings of the Religious Society of Friends / "Quakers" may have had an influence here.) his local parishners, Oneida felt otherwise and in 1774 when the church was two years old decided, over his objections that it was unnecessary, that their church should have a steeple insisting, in Graymont's words, that "if white people could have steeples over their churches, so could they. Indian religion was worth no less than the white man's religion." (Graymont, p. 46)

While it was not this church, you may see photos of another Iroquois built church (Mohawk-built) from this era here: https://indiancastle.church/


As for Iroquois fortifications of the era, they are mentioned in several places in this work and in the histories of that time. Lacking knowledge to the contrary (at least at this time of writing), I would assume they would have been a mix of the fortifications described above along with the White style of frontier fortifications of the time.




Stillwater, New York Blockhouse Museum ( https://www.albany.org/listing/stillwater-blockhouse-museum/1006/ )




The Old Stone Fort from Schoharie New York ( see https://theoldstonefort.org/our-museums/old-stone-fort/  )

WARGAMING 


I am painting a large quantity of northeastern woodland Indians from that era, a large bag of 25mm Old Glory French and Indian War figures that were donated to me by a friend who never got around to paint them. ( Product ID: FIW-01 Natives Advancing with muskets ) Although in my mind they are supposedly Iroquois, I do not guarantee the details are correct, some of the hairstyles in particular look quite "iffy" but they are good enough for wargaming particularly as I did get them for free.


They will supplement the old RAFM Flint and Feather figures that I bought and painted years, really decades, ago. ( RAFM Flint and Feather ) I'll try to post pictures later. I also hope to do some supplements with figures from other ranges as well. Perry Brothers and Warlord Games both have some nice looking figures for the period but I am sure they are not alone. Bob Murch and Crucible Crush have an exciting looking line called "Flint and Feather" of pre-European and time of European contact Iroquois and Algonquins that while not quite right for this period seems nevertheless definitely worth mentioning.


ADDITIONAL LINKS

A New York State Museum exhibit and presentation on Iroquois longhouses. 
http://exhibitions.nysm.nysed.gov/iroquoisvillage/

Another website with lovely pictures of longhouses and Iroquois architecture.
https://www.hhhistory.com/2016/04/the-iroquois-longhouse.html


Should you wish to purchase one, this company makes resin models of Iroquois longhouses for wargaming. Although I've linked to a particularly nice looking one, there are others on their site, as well as a blockhouse and stockade walls, under the "American Frontier" section. Please note I have not done business with this company or seen their products in person.
https://achesoncreations.com/index.php?option=com_virtuemart&view=productdetails&virtuemart_product_id=82&virtuemart_category_id=16

A fun website that gives instructions on how to build your own model longhouses for wargaming if you do not wish or are not able to spend money on resin cast models.
https://onelover-ray.blogspot.com/2011/04/how-to-build-no1-fiw-indian-longhouses.html


I stumbled across this while researching this blog, a biography of Samuel Kirkland, the missionary to the Iroquois mentioned above. I have not read it yet but it seemed worth noting and sharing. 
https://archive.org/details/samuelkirklandsm00lenn 



   

martial arts in wargaming

Some time ago, I had an interesting exchange with a European facebook friend, Nuno Pereira, creator of this http://kingscarbinepaintshop.blogspot.com/ and other blogs. Pereira, who is Portuguese, is enthusiastic about the study of Portugual's overseas colonial activities and conflicts over the last few centuries. He posts fascinating information on them in several forums devoted to wargaming and other historical activities. Not too long ago, he had, absurdly, gotten in trouble with the Facebook managers who felt some of his photos of 19th Century African warriors and other tribespeople who had interacted and fought with the Portuguese during that time were not properly clad for facebook viewers and defied Facebook values and he found his facebook privileges suspended for a few days.

I found this both absurd and hilarious and posted this video, partially in response. It dates from 1897 and shows Ashanti warriors demonstrating a "knife dance" at an exhibition that year in France. (The history of such exhibitions and museums, particularly in the pre-modern media world, is fascinating.)




This led to a discussion about whether or not and if so how to factor Capoeira, an Afro-Brazilian dance martial art with roots in Angola, and other martial arts into a miniature wargame. Should units that depict warriors or soldiers that have studied martial arts get higher stats  and ratings in hand to hand combat than those who have not?

Years previously, there was a discussion on this on the Colonial Wargames Yahoo group and I argued furiously over this issue until the moderator cut the thread. It's a topic I feel I know more about than many and have extra insight into --so, my two cents . . .


I believe this figure was produced by Grenadier years ago, perhaps Ral Partha, If someone knows please
let me know. I painted him to look like the character Shang Chi from the Master of Kung Fu comics.



First, "Martial Arts" and "Fighting Skills" are two different but overlapping things. If taught badly and out of context, studying martial arts can make you a WORSE fighter. But if taught well, then they can make a good fighter a better fighter. And to explore the topic more deeply requires an arbitrary defining of terms and splitting hairs. Would, for instance, bayonet drills or training be considered a martial art? I probably would not unless it involved an ever upward path for continuous development but if others disagree, I am not inclined to spend much time arguing with them over it.
A selection of 1980s era figures painted by me. Again the exact manufacturer is long forgotten.

 
Also hand to hand or close combat effectiveness depends on much more than simply knowing techniques and when to apply them. Aggressiveness and physical fitness, for instance, would also be factors that need to be taken into account, along with others.
A more recently manufactured figure from Hasslefree figures.

 Therefore, in my opinion, since people who have studied are martial arts are not necessarily better fighters than many others who have not, I would not give wargames figures a bonus for "knowing martial arts." You should just factor it into their close combat ratings along with several other factors.
These were originally manufactured by Obelisk Miniatures as part of their very interesting "tong" range, a range based on some classic photos of turn of the century San Francisco Chinatown. The range has been bought and is currently available from Tsuba Miniatures .
Additionally few martial arts are designed for mass combat. i.e. in the various Filipino martial arts of Kali, Escrima, and Arnis and different kinds thereof, there are a lot of techniques for knife dueling (this is one of the few martial arts that actually teaches these things) and they are a martial art. However, they are generally focused on one to one combat although less so than many other martial arts. Other martial arts are more focused on things like improving fitness, personal and spiritual development including confidence building, while others are basically contact sports. And there's nothing wrong with any of this. However, it does not mean you should automatically rate units that have studied martial arts as being more effective in hand to hand or close combats.


So, no, don't give your Angolan warriors a bonus because they study Capoeira. Give them a bonus because they are awesome fighters who happened to have studied Capoeira.

Seriously, there are many, many people out there walking around with martial arts credentials, convinced in their own minds that they are awesome superhuman killing machines who have no idea how to fight or what real violence looks like.


Another interesting thing along those lines is Wim Demeere, a prominent Tai Chi teacher in Belgium, wrote a blog post comparing martial arts and military combat. One key idea in it was "Military units are trained to fight as a team. Martial artists are trained to fight as individuals."You can read the whole essay HERE if you'd like. It's long but quite good. The part on teamwork is near the bottom of the page.

Similarly, there used to be a former US Navy SEAL who was selling instructional videos on hand-to-  hand combat and related things to the civilian market. (I forget his name. The videos came from Panther Productions.) In an interview he admitted, "Actually the Navy SEALS often don't focus much on unarmed combat. In the Navy SEALS they feel if you find yourself in combat unarmed you screwed up big time somewhere."   

Image result for panther productions martial arts US NAVY SEALS Frank Cucci



Most who know about the connection between martial arts study and military effectiveness will admit that one of the biggest reasons to teach modern soldiers martial arts is that it raises their morale, not that it raises their direct combat effectiveness. As Nuno Pereira pointed out in our discussion, "If they are Elite they are trained for unit combat and stay cohesive. They are individually better than other troops but their strength is both psychological and physical."
More Hasslefree Figures miniatures
Having said that, I enjoy studying martial arts. It has many side benefits one of which is that it helps encourage me to stay active (not that it works too well for that as you can tell from my recent photos . . . but I recognize there is a problem there and occasionally engage in token exercise and other efforts to fix it. --eating two pieces of pizza instead of four, for instance. ) :-)

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